By Lee Hammond
Lee Hammond is helping you get your acrylic work previous that preliminary “awkward stage” with nice counsel and methods for attaining lifelike effects.
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Extra info for Acrylic Basics for Beginners
In this large-format work (it is almost the same size as the Boston Se(f-portrait) the accessories, including the cap which had been given a full, plastic form in the earlier work, are dealt with summarily as scarcely more than a silhouette. Even the lit area of the head has little detail, though the continuity of the brushstroke, which bends to follow the form, is here clearly intended to generate the suggestion of plasticity. The result is, because of its rather empty appearance, not very satisfactory, although surely characteristic of the urge felt during these final years in Leiden to find a simplified form for the figure seen at some distance and on a large scale.
84 (1969), pp. 233 237· 8 No. A 16. 5 O. Benesch, Rembrandt, selected drawing]', London New York 1947, pp. 8- I 3; Chr. White, Rembrandt as an etcher, Lonclon 1969, pp. 14 18. 1'2 PAINTING MATERIALS AND WORKING METHODS Fig. I. Back of panel bevelled along four sides (no. AS ) right angles to the annual rings), the reason being that a plank sawn like this has less tendency to warp. This way of sawing up a log produces what is fundamentally a wedge-shaped board, and this wedge shape can still often be seen to some extent (fig.
8 x 50 cm, three planks; S. Peter in prison (no. 8 cm, single plank. 'series'17, it is probable that Rembrandt bought several panels at a time. This supposi tion is further borne out by the appearance of whole lots ofidentical panels in some painters' inventories 18 ; and the discovery by Prof. Dr. J. Bauch that in a number of cases two or more panels used by Rembrandt came from the same treetrunk is evidence for the correctness of this assumption 19 . The ground In his study of the grounds on Rembrandt's panels and canvases - a study in which samples of the ground were taken for analysis from 75 pain tings attributed to Rembrandt, from all periods - Kuhn finally arrived at four main types: chalk, white lead, ochre and quartz grounds 20 .
Acrylic Basics for Beginners by Lee Hammond